• Martina Forasiepi

Gathering the legacy of the Antwerp Six, the project aims to strengthen the position of the Belgian city as the capital of international fashion. Despite the government thinking (a bit) differently.

And it is not a matter of style or creativity, but of a system that does not protect the independent brands most loved by critics.

And it succeeded neither with the plot nor with the direction, but by tearing apart the archetype of the bad boy, the toxic male that so many TV series have served us over the years. And cleverly using Y2K nostalgia.